Search results for "Seamus Heaney"

showing 5 items of 5 documents

A contrastive Analysis of the first Canto of Dante’s Inferno: an Examination of the Translations of Seamus Heaney and Ciaran Carson

2008

The article offers a comparative analysis of two English translations of the first Canto of Dante's Inferno: both produced by Irish authors, the two greatly differ. Specific translation strategies are examined in relation to the authors' distinctive poetic styles.

DanteSeamus HeaneyTranslation strategieNorthern IrelandCiaran CarsonTranslation strategies; Dante; Inferno; Seamus Heaney; Ciaran Carson; Ireland; Northern IrelandInfernoIrelandSettore L-LIN/12 - Lingua E Traduzione - Lingua Inglese
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'[I]t wasn’t in the picture and is not': Blind Spots and Vanishing Points in Irish Poetical Self-Portraits

2016

International audience; Pictoriality and a propensity for self-examination and self-representation are characteristic of the poetry of Louis MacNeice, Derek Mahon, Seamus Heaney and Paul Muldoon. In many a poem, these four contemporary Irish poets try to capture their own portraits in words and images, through highly visual poems often inspired by paintings. This paper first examines how these poets use images and invest paintings, how verbal and iconic texts interact in their creations and to what extent self-exegesis is made possible and more successful through ekphrasis. With reference to Jacques Derrida’s essay on self-portraiture—Memoirs of the Blind: Self-Portraits and Other Ruins—thi…

Derek Mahon[SHS.LITT]Humanities and Social Sciences/LiteraturePaul Muldoon[ SHS.LITT ] Humanities and Social Sciences/Literature[SHS]Humanities and Social Sciences[SHS.LITT] Humanities and Social Sciences/LiteraturepictorialityekphrasisIrish poetryself-portraitureSeamus HeaneyLouis MacNeice[ SHS ] Humanities and Social Sciences[SHS] Humanities and Social Sciences
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Introduction: Seamus Heaney’s Europe

2016

Seamus Heaney’s Europe is a space of contradictions. On the one hand, there is his belief in the principle of the national and ethnic identity understood in essentialist terms. On the other hand, there is a vision of the European tradition as multi-layered and devoid of clear outlines and a stable centre. The two moments inform Heaney’s work and are examined in the context of literary fascinations and interdependencies.

LiteratureEssentialismbusiness.industrymedia_common.quotation_subject05 social sciences0507 social and economic geographyEthnic groupEuropean legacy050701 cultural studiesArts and Humanities (miscellaneous)Identity (philosophy)Seamus HeaneySociologybusinessidentitymedia_commonJournal of European Studies
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Actaeon Revisited: Seamus Heaney and Sinéad Morrissey Respond to Titian

2014

International audience

Literature[SHS.LITT]Humanities and Social Sciences/Literaturebusiness.industrymedia_common.quotation_subjectAerospace EngineeringArt[ SHS.LITT ] Humanities and Social Sciences/LiteratureTitian[SHS.LITT] Humanities and Social Sciences/LiteratureekphrasisIrish poetrySeamus HeaneybusinessIrish poetrySinéad MorrisseyComputingMilieux_MISCELLANEOUSmedia_commonNew Hibernia Review
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" Les métamorphoses d'Actéon "

2014

International audience

[SHS.LITT] Humanities and Social Sciences/Literatureekphrasis[SHS.LITT]Humanities and Social Sciences/LiteratureSeamus HeaneyDiana and Actaeon[ SHS.LITT ] Humanities and Social Sciences/LiteratureTitianSinéad MorrisseyComputingMilieux_MISCELLANEOUS
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